MYTHOS AND LOGOS

 

In these paintings, the texts operate visually as decorative or structural compositional elements and conceptually as counsel to the participants in the scene. The messages (derivative of the "Untitled (Messages)" series) are rendered illegible or invisible and, thus, are inaccessible to them.

 

Much of the imagery in these paintings is composited from experiences overlayed with transitory perceptions, feelings, intuitions, and ideas – many of which somehow seem simultaneously foreign and intrinsic to my own being. 

 

I try to present the symbols and scenes that emerge from this composite without regard for the valuations of ideology (notwithstanding the “wisdom” of the accompanying text, rendered inaccessible). I try to let the actors speak for themselves, in their own enigmatic fashion, as they pose or play out their scene on a literal and figurative stage set by the messages of which they each are more or less unaware.​

Roma, 2015

Oil, charcoal, archival ink, and encaustic on panel-mounted canvas

20 x 24 inches